OSTATNI TOM

Tom XXIV: American Art of the 20th and 21st centuries and Polish- American artistic relations, ed. by KRZYSZTOF Z. CIESZKOWSKI, KATARZYNA CYTLAK, MAŁGORZATA GERON, JERZY MALINOWSKI & FILIP PRĘGOWSKI

Table of contents: JERZY MALINOWSKI, The 9th Conference on Modern Art; KRZYSZTOF Z. CIESZKOWSKI, “Oh my America, my new found lande”: heroic materialism and the cargo cult; MIROSŁAWA BUCHHOLTZ, Sargent and Sargent, John and Johnson: American Portraits in White and Black; MAGDALENA MODRZEJEWSKA, “It Will Throw a Bomb into our Art World” – The 1913 Armory Show and Its Disruptive Effect; DOMINIKA BUCHOWSKA-GREAVES, Max Weber: an American Cubist; MAŁGORZATA GERON, A few notes about Rita Sacchetto’s performances in the United States; MONIKA NOWAK, “New Understanding”: The International School of Art (ISA) and the Polish Art Service (PAS), Organisations Promoting Polish-American Art Relations in the 1930s; IRENA KOSSOWSKA, Brooklyn celebrates Polish artistic idioms: The question of national art in the American critical discourse; FILIP PRĘGOWSKI, Matt Mullican : Hypnosis, performance and truth; ANNA MARKOWSKA, Spirituality in American women’s art: the Heresies collective, artistic re-enchantment practices, and new thealogical perspectives; JUSTYNA CHOJNACKA, “Nouveau Frisco”, or some remarks on the sources of San Francisco psychedelic art; MAGDALENA CHOMIAK, Lenore Tawney’s Openwork fabrics, Totems and Postcard Collages as Inspiration for My Own Artistic Endeavours; MARTYNA WENDA, The Work of Sandro Miller as a Multifaceted Expression of Contemporary Art; MARIA HUSSAKOWSKA, Brygida Serafin and parallels with John Cage’s „liturgical contingency”; BOŻENA PYSIEWICZ, The Polish School of Posters versus the “photo-posters” of Hollywood distributors, or On Polish posters for American films; KAMILA DWORNICZAK, Świat – Poland – Ameryka. The United States in the pages of illustrated magazines during the “Polish Thaw” in the context of Polish-American cultural relations; IRMA KOZINA, The American National Exhibition in Moscow and its impact on the development of institutions that educate industrial design students in Poland; FILIP LIPIŃSKI, Ten Thousand Lines: Sol LeWitt in Poland; PAWEŁ POLIT, Échange Values, Potential Encounters: Correspondences Between Works by American and Polish Artists; ANNA DZIERŻYC-HORNIAK, “If you have a gallery, we will bring the works...”: Selected American artists at the Foksal Galle in the 1970s; ALEKSANDRA SUMOROK, Polish Architects on Ford Foundation Fellowships: The Case of Stanisław Juchnowicz; PIOTR MARCINIAK, Charles Jencks and the Postmodern Paradigm: The Impact of Theoretical American Thinking on Contemporary Polish Architecture; KATARZYNA SZRODT, The Penetration of art across borders – Polish visual artists between Canada and the United States; KATARZYNA SZYDŁOWSKA-SCHILLER, Stanisław Szukalski and the underground comix scene on the West Coast; HANNA SAWKA, Raising the Flag: The Motif of the Banner in Jan Sawka’s Artworks Across; JAN WIKTOR SIENKIEWICZ, California’s KrakArt Group; ANNA RUDEK-ŚMIECHOWSKA, Illustrators working with “The New York Times” against the background of the Polish-American art community of New York City in the 1980s; PIOTR BOLESŁAW MAJEWSKI, Janusz Skowron − Artist and Animateur within the Circle of “Polish New Yorkers” at the Turn of the 20th and 21st Centuries; ELEONORA JEDLIŃSKA, On American criticism of the work LEGO; Zbigniew Libera’s Concentration Camp and Exhibitions in New York in 2002; JERZY UŚCINOWICZ, Form and void: the new “Ground Zero” in New York City.

Polish Institute of World Art Studies & Tako Publishing House Warsaw–Toruń 2024 ISSN 2543-4624 ISBN 978-83-66758-40-7 (s. 280)

Publication subsidised within the framework of the programme CZASOPISMA / NEWSPAPERS by the Ministry of Culture and National Heritage, Fund for the Promotion of Culture. Agreement no. 04457/24/FPK/IK